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i feel like claims that this have become way too common now. evenif have become way too common now. even if there is no basis for the claim. it s really damaging to the songwriting industry, there s only so many nodes and very few chords used in pop music, coincidence is bound to happen. earlier, i spoke to forensic musicologist sandy wilbur who s testifed during previous court cases over music copyright. i asked her what she made of these two tracks. let me first of all say that i was not involved in this case, and that i heard the two pieces today for the first time. but, as a forensic musicologist, i can say that the first thing that struck me is that the emphasis on the different words, the different syllables, are quite different. in the ed sheeran song you have # oh i, oh i, oh i, oh , and on the other one, you have # o-why, oh-why, o-why, 0. and there s a difference. and why is emphasised whereas in the ed sheeran song these are more nonsense syllables which are used often

Pop musicSongwriting industryEvenif haveForensic musicologist sandy wilburCourt casesMusic copyrightCo whyDoh whyEd sheeran song you haveEd sheeranNonsense syllablesPop songs