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Hannah Höch: cut with the kitchen knife through the patriarchy Exploring the German artist s contributions to Dada. Art by Bonnie Huang April 25, 2021 Life hasn’t been what you were promised. The people are angry, the government can’t get a grip, and fascism is on the rise. Sound familiar? It’s Germany in the 1910s. You are not a reader of Honi Soit; you are German Dada artist Hannah Höch, and you’ve got one meaty bone to pick with the Weimar Republic of Germany. One crisp autumn morning during my senior years of high school in 2019, my art teacher (bless them, they had no idea what they were getting me into) introduced me to the fantastical, wild world of Hannah Höch. I was hooked. Höch’s work wasn’t at all what I was used to no striking portraits of wealthy toffs with exquisite flowing silks and gleaming jewellery, no striking landscapes of jagged cliffs or raging storms, each stroke painstakingly placed. Instead, there were chaot

Artemisia gentileschiSophie taeuber arpClara ticeBeatrice woodHoni soitGerman dadaWeimar republicKitchen knife dada throughBeer bellyFirst world warNew womanArt historyபீட்ரைஸ் மரம்ஜெர்மன் அப்பாவீமர் குடியரசுபீர் தொப்பை