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Illustration by Andrea Ventura. Omelas, the utopian setting of Ursula K. Le Guin’s 1973 short story “The Ones Who Walk Away From Omelas,” is built on deception. Le Guin introduces the city on a day of celebration, dwelling on its merry crowds, gorgeous architecture, and picturesque proximity to a bay and snow-capped mountains. As the narrator roves through this vista, describing the sights with pride and wonder, the admiration grows defensive. “Do you believe? Do you accept the festival, the city, the joy?” the narrator asks. “Then let me describe one more thing.” The deception ends, and we’re taken to an emaciated and abused child incarcerated in a dirt cellar. The child is barred from leaving this prison, but everyone ignores its misery; they believe its suffering is necessary for Omelas to thrive. Those who cannot stomach this injustice quit the city, an act of silent protest.

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