CiTR 101.9FM kicks off the 2023 iteration of its 24 Hours of Radio Art programming at 12am on Tuesday, January 17th!Content has been curated and submissions coordinated by CiTR’s 24 Hours of Radio Art Team. Tune in for radio art-specific playlists from CiTR programmers Cora, Chronfused, Duncan s Donuts, gak, Le Midi, Teachable Moments, plus contributions from Peter Courtemanche and Bill Mullan - two of the driving forces behind this annual experimental music, sound research and noise tradition.The complete list of CiTR 101.9FM’s 24 Hours of Radio Art 2023 podcasts will be available shortly.Contact / Feedback / 2024 Submission Requirements: radioart@citr.ca=============Tuesday, 17 January 202300h00 – 03h00Curated By: CiTR 101.9FM 24 Hours Of Radio Art TeamFeaturing: Robert Filliou | Pablo Diserens | Il Radioamatore | Diane Barbé | Molly Joyce | Le Midi | Cora | The London Sound Survey | Blair Petrie | Negativland | Chronfused | Juan Angel Italiano | Duo Pereira / San
CITR’s 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something.Tonight s broadcast features compositions from Dionisaf s latest release New York Environments , more audio curiosities from the Kieh! Kieh! label (Alex Sanders A Witch Is Born , Alan Watts OM, The Sound of Hinduism , Dr. Timothy Leary s How To Operate Your Brain ), plus the CiTR Global Network premiere of Unexplained Sounds Group s Vision of Darkness (In Iranian Contemporary Music) Vol. II .Starting at 10 PM Pacific on CITR FM 101.9, streaming at PLAYER.CITR.CA(Photo Credit: Kieh! Kieh!)
CiTR’s 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something.Today s broadcast features new Croatian Amor, Vetrophonia, Eisenlager, Audible Masticators, Horde of Two, plus, the CiTR Global Network premiere of Red Fog s Hektor.Starting at 2 PM Pacific on CITR FM 101.9, streaming at PLAYER.CITR.CA(Photo Credit: Red Fog)
From his beginnings in the chill out act
9 Lazy 9, to his work as a soundtrack artist for Italian TV, and on to his longest running project
Funki Porcini, James Braddell’s work really stands the rest of time. As one of the first acts signed to the infamous
Ninja Tunes label, he’s influenced many artists and has also branched into installation art with his awesome
CITY project. I recently had the pleasure of asking James some questions.
With the majority of your musical output being on Bandcamp now, are you finding it easier or harder to get your work out to your audience yourself than you did with an indie label behind you? Is it at all comforting to know you are in complete control of the process?