of living peoples minds but most is the cost of living. things like green levees on electricity bills, they are at the forefront at the peoples minds, and he the forefront at the peoples minds, and he pumps a very expensive or an electric and he pumps a very expensive or an electric car can be expensive to put be cost electric car can be expensive to put be cost effective ways for people to make be cost effective ways for people to make these choices, especially in the circumstances we are living at the circumstances we are living at the moment. long term it will be cheaper the moment. long term it will be cheaper but the short term, people don t cheaper but the short term, people don t want cheaper but the short term, people don t want to tip their pockets. thank don t want to tip their pockets. thank you don t want to tip their pockets. thank you both for a really interesting this and on a whole range of topics we will have to leave it there. a big thank
that s it for the papers this hour. goodbye for now. hello and a very warm welcome to this week s film review here on bbc news. taking us through this week s cinema releases we have, as ever, mark kermode. mark, what delights have you been sampling this week? a very mixed bag this week. we have good luck to you, leo grande, starring emma thompson. we have the new francois ozon film, everything went fine. and lightyear, the ultimate origin story, apparently. good luck to you, leo grande, this had a lot of advance publicity because emma thompson has been talking about body image in the media a lot. yes. there has been a lot of press about it. she stars as a widowed former religious studies teacher who s only intimate encounter in her whole life has been her husband and apparently very mundane and vanilla. she s now single, widowed. and she s decided she wants to find out what all the fuss is about. she makes a list of stuff that she wants to do and being practical to the point
you don t have to worry. this is just you don t have to worry. this is just the you don t have to worry. this is just the two of us tonight. what is your fantasy? just the two of us tonight. what is yourfantasy? i m just the two of us tonight. what is your fantasy? just the two of us tonight. what is our fantas ? ., , i. your fantasy? i m not sure you could really classic your fantasy? i m not sure you could really classic as your fantasy? i m not sure you could really classic as a your fantasy? i m not sure you could really classic as a fantasy. your fantasy? i m not sure you could really classic as a fantasy. it s - your fantasy? i m not sure you could really classic as a fantasy. it s a - really classic as a fantasy. it s a bit mundane really classic as a fantasy. it s a bit mundane for really classic as a fantasy. it s a bit mundane for that. really classic as a fantasy. it s a bit mundane for that. really classic as a fantasy. it s a bit mundane for t
it s dealing with a subject it which is often taboo. intimacy and british cinema don t often go hand in hand and they are great performances. i wished that i believed in them more as their characters rather than as very fine actors doing very good performances with a sharp, witty script but i wanted to believe a little bit more. interesting in the context of older actresses saying it s harder for them to get film roles. the thing is, there is absolutely no question that anything that deals with intimacy, with anyone other than young, fabulous looking people is something that cinema has traditionally shied away from. and this is therefore, moving things forward because what it s doing is a subject that cinema has considered taboo and i think that s great and to be praised, ijust wished that i bought into the film more than i did. 0k. everything went fine,
because he s a giggilo, he s an escort, a sex worker so he s playing the role but we are watching two very accomplished actors playing roles and i never quite forgot that that s what we are watching. if you compare this with a film like the mother, that had a much more convincing set of characters. i did really believe with those people. it s very funny. it s nicely to be unabashed. it s dealing with a subject it which is often taboo. intimacy and british cinema don t often go hand in hand and they are great performances. i wished that i believed in them more as their characters rather than as very fine actors doing very good performances with a sharp, witty script but i wanted to believe any more. interesting in the context of older actresses saying it s harderfor them to get film roles. the thing is, there is absolutely no question that anything that deals with intimacy,