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Exhibition aims to awaken public consciousness to the realities of environmental destruction

Exhibition aims to awaken public consciousness to the realities of environmental destruction Installation view: And if I devoted my life to one of its feathers, Kunsthalle Wien 2021, photo: © eSeL.at - Lorenz Seidler. VIENNA .- “And if I devoted my life to one of its feathers?” writes the Chilean poet, artist and activist Cecilia Vicuña in an untitled poem from the late 1960s, early 1970s. With this question Vicuña counters anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and nonhuman entities and worlds. The exhibition And if I devoted my life to one of its feathers?, curated by Miguel A. López, revolves around this very vision of interconnectivity that Vicuña portrays in her poem by bringing together artists whose practices engage in the struggle for collective survival and the processes involved in restoring disrupted social bonds. Indigenous epistemologies are understood as central in

After Abraham Accords, Jewish-Arab art show tries to transcend historic conflict

Jessica Steinberg covers the Sabra scene from south to north and back to the center. A work by Israeli photographer Angelica Sher, to be shown at the Mediterranean Biennale, opening April 6, 2021 (Courtesy Angelica Sher) It has been nearly four years since the last Mediterranean Biennale was held, and organizers of the show have spent the last two of those years on the uphill task of trying to convince artists from Arab countries and elsewhere to overcome their qualms and participate in the Israeli event. The fourth iteration of the biennale, which opens April 6 and despite its name does not occur every two years due to budget issues, is titled “Living Together Crossing Borders,” and aims to create dialogue and a new network of connections between artists from countries in the region. Organizers had hoped newly normalized ties with some Arab states would help remove qualms for artists skittish about showing their work in Israel, though it did not quite work out that way.

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