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8 Asian American films to catch at CAAMFest 40

The ultimate guide to CAAMfest 2022, the May 12-22 celebration of international Asian American film, music and food, back after a long pandemic pause.

With Shang-Chi soundtrack, Bay Area native brings Asian and Asian American musicians to the masses

With Shang-Chi soundtrack, Bay Area native brings Asian and Asian American musicians to the masses
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Mira Nair, Lee Issac Chung, Lulu Wang on whether their identity as Asian American filmmakers ends up pigeonholing them

Mira Nair, Lee Issac Chung, Lulu Wang on whether their identity as Asian American filmmakers ends up pigeonholing them Filmmakers Mira Nair, Lee Issac Chung and Lulu Wang discuss their film aesthetics and how it shapes up to form a collective sensibility Nearly 40 years ago, the filmmaker Wayne Wang cobbled together $22,000 and shot his debut feature on the streets of San Francisco’s Chinatown. The result was Chan Is Missing, widely considered the first Asian American indie film and a work that managed to be at once a vérité peek into a neighbourhood, a sly neo-noir buddy film, and an experimental, complex allegory about Chinese American identity or, at least, about the ambivalence of it.

A Vision of Asian-American Cinema That Questions the Very Premise

Alan Yang in front of a scene from his drama “Tigertail.” He said recently “a white guy sent me a script that was all Asian characters, and I was like, oh, it must be in vogue!”Credit.Justin J Wee for The New York Times A Vision of Asian-American Cinema That Questions the Very Premise Lulu Wang, Lee Isaac Chung, Bing Liu, Alan Yang, Justin Chon, Sandi Tan and Mira Nair talk forthrightly about staying true to themselves while navigating Hollywood and issues of identity. Alan Yang in front of a scene from his drama “Tigertail.” He said recently “a white guy sent me a script that was all Asian characters, and I was like, oh, it must be in vogue!”Credit.Justin J Wee for The New York Times

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