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Edouard Malingue Gallery opens group exhibition In the Labyrinth
Installation view.
SHANGHAI
.-Edouard Malingue Gallery is presenting a group exhibition In the Labyrinth at 549 North Shaanxi Road from 2 - 18 July 2021, showcasing works by Chou Yu-Cheng (b. 1976, Taiwan, China), He Yida (b. 1980, China), Li Shuang (b. 1990, China), Liao Guohe (b. 1977, Calcutta, India), Liu Yin (b. 1984, China), Ma Qi (b. 1971, China), Nabuqi (b. 1984, China), Su Yu-Xin (b. 1991, Taiwan, China), Tang Dixin (b. 1982, China) and Zheng Zhou (b. 1969, China). Umberto Eco describes rhizome labyrinth in The Name of the Rose: Each road is closely related to other roads. It has neither a centre nor an edge, and there is even no exit. What it presents is not uniformity, but diversity. In his book, Eco constructs an era that could reflect the contemporary zeitgeist, like a rhizome labyrinth , which is an exciting era but is internally fragmented. The intricate labyrinth of the library is undoubtedl
Pursuits Share
Ahead of her official appointment as Tai Kwun’s senior curator for heritage & digital, Ying Kwok takes us through a year of exhibitions, highlighting the role of a curator in shaping artists, art and the art world at large.
The prevalence of the term “curated” in contemporary culture has undoubtedly undermined the role of an art curator – these days, the word has devolved into a fancier term for “selected”. But it would be a mistake to assume that curators in an art-world context do no more than choose which paintings hang upon a wall in a show. That part is probably the easiest bit of Ying Kwok’s job.