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Cathy Park Hong and Lynn Xu on the Poetry of Choi…

January 26, 2021 In this week’s episode, Cathy Park Hong and Lynn Xu talk about the startling directness of Korean poet Choi Seungja and the humbling experience of translation. The conversation ranges from Nietzsche to South Korea in the 1980s, and from Paul Celan to capitalism. As Xu says, Choi’s poems contemplate “living with death as one’s companion,” but instead of indulging in nihilism, her poems are often surprisingly hopeful. Choi Seungja is one of the most influential feminist poets in South Korea, and her book Phone Bells Keep Ringing For Me (Action Books) has recently been published in English, thanks to Cathy Park Hong and her cotranslator Won-Chung Kim.

The Paris Review - Blog Archive The Paris Review Staff s Favorite Books of 2020

Don Mee Choi. Photo: © SONG Got. Courtesy of Wave Books. It’s a cliché to say that reading transports you, but in a year in which I spent most of my days indoors, shuffling between my bedroom and my living room, the books I read really were a lifeline, a portal to an outside world. In the weeks before New York shut down, I luxuriated in my subway reading, laughing aloud at Alma Mahler’s antics in turn-of-the-century Vienna in Cate Haste’s biography Passionate Spirit, savoring the deceptively calm sentences of Amina Cain’s fabular Indelicacy, and texting photos of paragraphs from Abdellah Taïa’s sharp exploration of immigration, colonialism, and sexuality,

The Paris Review - Blog Archive Our Contributors Favorite Books of 2020

Our contributors, from across our quarterly print issues and our website, read as widely and wildly as they write. Here, they tell us about the books that moved them most in this strange year.  It’s a privilege, of course, to spend time thinking and writing about some of my favorite books that were published during this most absurd and solitary—most mendacious, violent, American—of years, but I’m grateful to the following artists, among others, for sustaining my spirit. I’ve come to realize how important, even more crucial than usual, short forms have been for me in a time defined by so much precarity. The idea of reading a story or a poem, simply that, has felt attainable, and the act has reliably provided me with nourishment. Danielle Evans’s second book of stories,

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