Works in his recent solo presentation at Marc Selwyn, such as Still-Life with Crixivan, Zerit, and Viagra, 2000 an early example from a magnificent suite of still lifes populating the galleries revealed the artist’s practice of arranging as a mode of compositional becoming.
Under him, the newspaper expanded from focusing largely on foreign news to covering local issues important to Latinos that the English-language media ignored or misinterpreted.