Kid. X. . Hey who are listening to kick kicks 89.3 f.m. Student powered radio. California is the blues and this is b.b. King live at the plant how can you get it and welcome everybody. a little bit. Oh . Dear What about that. So let s not. Just. Live. Mom. She. Really. Doesn t mean. Kids saying the world will come. To believe it comes to. Mom for the. Old cheating. Man cheating. Mom. Mom. And. Mom. Because. She does and. She s hot that ain t no. Leaving. Me see long. Boom boom boom boom. All you see. You. Will. See you well. Look at the flow. Of the tell. Me. Out. Would you wall to wall. Street. Our. Got a. Good. Good . Seat. Got a. Good. Seat . Just. Got a. Good to. Never grow. Always treatment. Never run in the streets believe in me. She know. It s red. That s good he. Told. Me. That s good to me. I don t know she s all right. You know it s all right. I just. Want to. See. Some. School. Before that I got a woman. And before that John Lee Hooker and before that. Walter and to kic
Got some. Baby you got to. Have a day. Or night but she s asleep. Among. The. I like your mama but she won t do. A good applause to hear what my bank. Shelves are saying in Tick tick tick. Your mama in a coma Dawna don t know which. I like you mom or dad 2 men are merely. As the as you know in the same family. Every time I see you she got up. The sleeve come on. There s a sax man j.t. Brown the vocals are going home to my baby from 1956 Jody Williams was there on guitar really tearing it up sort of under the vocals when I was trying to do in that set was together Elmore James and the whole crew everybody took a vocal Elmore saying and then the piano player little Johnny Jones saying and the sax man j.t. Brown sang and if I was thinking when I put this together I d go grab the already paying LP that he put out under his own name it seems as though all the famous drummers had to sing at least one signature tune with Fred below it was Route 66. Earl Philips saying to you that was his
Ray Davis and backing band The Jayhawks Ray Davies Amerikana was produced by Paul chief over joyride media our executive producer was Eric mole or associate producer was handy all songs on this program can be found on the legacy recordings released Amerikana by Ray Davies special thanks go to Adam Block your room Vandermeer John Jackson Jim part of Sydney mending and Gretchen Brandis and. I m Gaby Parsons and thanks for listening. Even listening to a radio special on great Davies and his book and album Americana here on Aspen beat on Aspen Public Radio broadcasting access been. Stay tuned for Blu horizon with the Bluebird this is a young I ll be back next Saturday night with a new edition of Aspen beat hope you ll join me then and as always thanks for this new. Welcome to the blue horizon show this is your host Sheryl the Bluebird and I m here to play the blues for you tonight in blue horizon artists who are playing the 2nd weekend of a New Orleans Jazz Fest last week and I had the ar
Big. There. Are this saying. A welcome to blues legacy it s 8 o 8. Glad to have me along and I want to give a shout out to Wendy o. Who. Has been working around the house today and she s been a good girl stand out of trouble with a sets the impression she gives us so shout out to Wendy oh hey we started with a bad movie go out to youtube Maisano M.E.S. s and Bobby look for a bad movie it s kind of funny it s really is you know this guy but it does rockets and looks like a good album and Magsaysay toe gave you wasted time from blues not war and then we dropped out and a big group Big Bill Broonzy treat everybody right I was just green about him and what a career and the reason why I like him as a gay money is start he let him open some shows in the forty s when muddy got to sick Aagot Muddy Waters. Couple years ago Dave Allen and his brother fell out of and did a tribute to the songs of Big Bill Broonzy called Common Ground and we heard just a dream from No we didn t that was called t
Man look at. The bad turn. To have thank you so much for joining me I m at the cat and welcome to another edition of the juke in the back your weekly showcase for 1940 s. And fifty s rhythm and blues for the soul that came before Rock n roll in this week s What a show I m dedicating the entire program to the great Chuck Berry This is part one of a 3 part feature on his early recordings we ll focus on his 1st full year recording from May of 1955 through May and June of 56 and through that one year in the spotlight you will actually see a snapshot of rock n roll being born now as we all know rock n roll through rhythm and blues country and western gospel and blues music had gradually been incubating for a long period of time I like to go back to the early 1940 s. Some people take it all the way back to the 1920 s. This music had been around it was developing it was brewing just out of the mainstream it was taken to the next level by band leaders such as Lionel Hampton lucky Milind or he