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But the critic and historian Lisa Hilton has pointed out that this portrait is far from conclusive. “The Ramsay portrait shows a reddish-haired woman with blue-grey eyes, a large nose, heavy chin and full lips,” she says. “Such features were considered unattractive according to the standards of beauty of the age and since royal portraiture is not known for its harsh realism, these features may certainly have been softened by other painters, without any necessary disguising of the colour of Charlotte’s skin.” She also notes: “None of the other considerable body of portraiture, for example works by Zoffany and Gainsborough, is suggestive of ‘mulatto’ blood. It seems unlikely that in an age when cartoonists depicted the royal family in the most scurrilous of situations (having sex, defecating), there should be no other visual reference to what, after all, would have been a fairly startling feature.”

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