As London’s Garden Cinema launches a new season of Taiwanese cinema, James Balmont offers a guide to the best films on show, from works by Edward Yang to Hou Hsiao-hsien
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Movies need not be “about” much in terms of plot, for they have plenty of other options. An orientation toward containing, addressing, or expressing something.
“Vive L’Amour,” the 1994 Venice Film Festival Golden Lion winner directed by Tsai Ming-liang, is a puzzle within a puzzle. Clearly inspired by the early French…