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ABS-CBN Film Archives: The Process, Challenges, And Rewards Of Film Restoration

ABS-CBN Film Archives: The Process, Challenges, And Rewards Of Film Restoration
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Wow! Charo Santos throwback photo of first magazine cover

Published January 22, 2021, 9:28 AM Photographs are treasures, more so old ones that transport us back in time. This is what happened last night as veteran actress Charo Santos-Concio posted a priceless photo of her her very first magazine cover when she was just 15 years old. “Just a little throwback… my first ever magazine cover at age 15. During my time, that was called the ‘hot pants, ” she shares. The Weekly Women’s magazine is dated June 25, 1971, the photo features a young Charo Santos in a sleeveless denim romper with striking graphic hues paired with over-the-knee white boots. Both styles are reminiscent of the transition of fashion from the 1960s and 1970s.

Mr M reveals power struggle in ABS-CBN concerning talents

Published January 22, 2021, 11:45 AM Johnny Manahan Johnny Manahan recently talked about his exit from ABS-CBN, the company he worked for almost four decades of his life. The seasoned star builder and director related in an article published on PEP.Ph that among reasons why he left is the problem between Star Magic and what he described as “shadow talent center.” “There’s a shadow talent center in ABS-CBN, and they have their own managers and they manage their own stars. (For example) the people from ‘Pinoy Big Brother,’ we expected to manage these people after they come out of the house. (But) no, they set up their own organization. It was like a counter organization,” he said.

Film Review: The Woman Who Left (Ang Babaeng Humayo)

Georgia Asian Times January 21, 2021 228 minutes, Philippines, 2017 Reviewed by Arturo Arredondo Pinoy filmmaker Lav Diaz might be best known in film circles for his prominence in slow cinema; he has even made some of the longest narrative films in movie history. His Evolution of a Filipino Family from 2004 carries a runtime of 10 hours and 43 minutes, 2008’s Melancholia clocks in at 7 and a half hours, while his 2013 opus Norte, the End of History is 4 hours and 10 minutes long. The Woman Who Left is his shortest film only 3 hours and 48 minutes and is also Lav Diaz at perhaps his most accessible (hinted by the starring roles by media executive Charo Santos-Concio and TV mainstay John Lloyd Cruz). What’s most remarkable, however, is that he produced, wrote, directed, and shot the film by himself.

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