The enigmatic paintings of Arthur Cohen, mounted elegantly on the walls of the Scully Tomasko Foundation, exude both linearity and painterliness. In this exhibition, titled Ripped Terre Verte, lyrical abstractions blur the boundaries between the finished and unfinished, between unity and disunity of forms, recalling the tenets of the outstanding exhibition Unfinished: Thoughts Left Visible, held at the Met Breuer in 2016.