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Metropolis
A 1984
Metropolis article captures artists Betty and George Woodman’s nomadic lives. Nearly four decades later, The Woodman Family Foundation archives the architectural sources of Betty’s work.
Betty Woodman.
Il Giardino Dipinto, 1993. 108 x 420 in. Glazed earthenware, epoxy resin, lacquer, paint. Installation view at the RISD Museum, RI.
Courtesy Woodman Family Foundation / Artists Rights Society (ARS), New York.
In October 1984,
Metropolis published a story titled
Pattern and Place tracing the studio developments of American artist couple Betty and George Woodman during a career-defining transition from New York to Colorado. At the time, Betty had established a name in ceramics through her utilitarian vessels, reliefs, and installations. Her husband, a painter, was known for geometric abstraction. The Woodman Family Foundation’s recently released blog series, Plotlines, emphasizes under-explored aspects of the Woodmans’ work, and for Betty, it is he
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