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2021 films of the year: Herself, The Lost Leonardo, Our Ladies and more

2021 films of the year: Herself, The Lost Leonardo, Our Ladies and more
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2021 films of the year: Free Guy, The Courier and more

A look at this year’s new movie releases

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Old: Film Review

Old: Film Review
chronicle.lu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from chronicle.lu Daily Mail and Mail on Sunday newspapers.

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Old had promise but is ruined by a final act twist

Matinee Streaming Writer-director M. Night Shyamalan (The Sixth Sense, Split) adapts Pierre-Oscar Lévy and Frederick Peeters graphic novel, Sandcastle, for the big screen. The thriller focuses on a family on a tropical holiday who discovers the secluded beach they ve visited is causing them to age rapidly their entire lives slipping away hour by hour. (108 min.) click to enlarge Photo Courtesy Of Universal Pictures GOING . GONE Various vacationers at a tropical resort discover their lives have sped up on a secluded beach, aging years every hour, in auteur M. Night Shyamalan s Old, playing in local theaters. Glen I m not quite sure why I keep coming back for more M. Night Shyamalan. He s disappointed me so many times. I never saw his first two films, but when

Charles rufus sewellChrystal abbey leeFrederick peeterMaddox alexa swintonPatricia nikki amukaAaron pierreAgnes kathleen chalfantJarin ken leungGustaf hammarstenM night shyamalanKen leungTrent alex wolffKara kyle baileyPrisca vicky kriepsUniversal picturesSixth sense

Old

Old by Piers Marchant | Today at 1:51 a.m. “Teenagers” Maddox (Thomasin McKenzie) and Trent (Alex Wolff) grow up very quickly in in M. Night Shyamalan’s latest thriller “Old.” I don t mean for this to sound as mincing and mean as it will probably read, but, maybe it s time M. Night Shyamalan tried his hand at a silent film. Or at least one like, say, All Is Lost where the dialogue is nearly non-existent. The Philly-born director is a decent enough storyteller, as far as that goes, and peppers his films with glimpses of visual panache, but where he inevitably runs into trouble, as far as I m concerned, is literally anytime a character speaks words to another.

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