or even in a, you know, running a magazine. it s like, yeah, i think today i still do not get the character role that might be the more fun role to do. i would assume that in hollywood, especially in the 70s and 80s, you must have had interactions with guys that were coming on to you, - people in positions of power. - right. did you encounter men who crossed the line? yes. i think everybody does, especially actresses. ( stammers ) every you re not gonna escape it. the only way to escape it is take the power back. - how did you do that? - well, i mean, i just walked away from some movies or contracts that i would have done, but i really and that doesn t, you know, again, you know, i don t want to put myself up on some pedestal like, well, she had so much strength to walk away. i guess, you know, who we are originally, our first base of understanding, sort of sees us through.
whoa. the washington of romney rolled over the moderator last night? the thing about i came to first because i had writ ain t piece for the new york magazine, how to act human, giving romney advice. since then i ve tried to pursue him, but that s not easy. he s elusive. yes. he keeps recasting himself, recasting himself. i ve tried to flail it down. before last night s event i had come to the conclusion i finally had typecast him, because he can t play a character role, he s not a good enough actor. this is a conclusion i came to. that he is that boss who makes lame jokes at which we are compelled to laugh at peril of our jobs. yes. and i don t know any bosses like that. last night he more or less erased that image with the significant cooperation of the president, he presented a brand-new, as you said, and