robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
the future, technology runs cross class. population is tremendously mixed. there is overcrowding. there is poverty. he is projecting so much content into those images and you just soak it in. i was constantly beaten up. why is it raining? why do you want it at night? i said because that s the way i [bleep] want it. harrison ford thought his character dekard was a human being. and ridley scott was planting clue ins the movie he was a replicant with implanted memories like this uniform he daydreams about. harrison is in full denial today that he is a replicant. the whole point of leave tag unicorn on the floor when he walks out. picks it up, nods. that nod is an assent. this is correct. somebody knows about my most private dream which is about a