The first feature by Haitian Canadian director Miryam Charles attempts to wring catharsis from the unresolved 2008 death of her teenage cousin, and does so in a poignant and formally intriguing fashion.
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A panel composed of representatives from A-list festivals got together on Sunday for an online talk staged by documentary film festival Visions du Réel to discuss the place of documentary films at their events. The speakers were Giulia D’Agnolo Vallan, U.S. programmer and selection committee member of the Venice Film Festival, Cristina Nord, head of the Berlinale Forum, Eva Sangiorgi, director of the Viennale, and Frédéric Boyer, artistic director of the Tribeca Film Festival. Asked to outline t