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Debating French Dance

What about stating the obvious? When there is significant institutional investment in the performing arts—i.e., France since the 1980s, with their “Centre Chorégraphique Nationaux (CCN)”1—the field radically expands, creators explore, and new dances flourish. The French Dance Reflections Festival in New York this past fall, presented by jewelry company Van Cleef & Arpels, really brought this home to me.

Brooklyn-academy-of-music
New-york
United-states
France
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Ouagadougou
Kadiogo
Soulage
Auvergne
Brussels
Bruxelles-capitale

Review: Rebel Yells and Chants of 'Adieu!' From Ballet de Lorraine

The company presented two large-scale works, one inspired by the French protests of 1968, and the other a response to a lost Merce Cunningham work, at NYU Skirball.

France
United-states
French
American
Merce-cunningham
Olli-lautiola
Eric-wurtz
Andy-warhol
Thomas-caley
John-cage
Paul-taylor
Miguel-gutierrez

'Create, share, unite': A French choreographer's vision

'Create, share, unite': A French choreographer's vision
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New-york
United-states
Suresnes
France-general
France
Paris
French
Mourad-merzouki
Le-figaro
Alwin-nikolais
Laurent-vinauger
Janet-jackson

'Create, Share, Unite': A French Choreographer's Vision

Mehdi Kerkouche, who comes from the commercial dance world, has been tapped to run an important public institution, the National Choreographic Center in Créteil.

New-york
United-states
Suresnes
France-general
France
Paris
French
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Mourad-merzouki
Le-figaro
Alwin-nikolais
Laurent-vinauger

CCNCN - Saison 2021 | Communication Arts

CCNCN - Saison 2021 With every click, visitors unveil the Centre Chorégraphique National de Caen en Normandie’s 2021 season on this site by Murmure. Responses by Guillaume Morisseau, front-end developer, Murmure. Background: This event site presents the 2021 season of the Caen-based performance space Centre Chorégraphique National de Caen en Normandie (CCN) to the public. We worked with director Alban Richard and the team at CCN to rethink their communication around an adapted approach that was more digital, more flexible and more appropriate to the situation of the fairly exceptional year of 2020 for the cultural community. Design core: We used a deliberately raw style, calling for a certain “return to basics,” whether in our behavior, in our consumption or in our design. This site presents a whole section of brutalism and reductionism that we wanted to explore. What appealed to us about this idea was that it involved the visitor in their discovery of the 2021 season and

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Alban-richard
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National-de-caen-en-normandie
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Jean-baptiste-morizot
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அல்பன்-ரிச்சர்ட்
மையம்-சோர்
தேசிய-டி-கன்-இஎன்-நார்மண்டி
தேசிய-டி-கன்

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