the first black woman to represent the us here. they wanted to start this part of the show with this monumental artwork. simone leigh won the other golden lion prize for this 16 foot bronze sculpture at the central biennale show, curated by cecilia alemani. of the 213 artists featured in what s called the milk of dreams, between 80% and 90% are female. i wanted to give the stage and the platform to many amazing, wonderful artists who also happen to be women. and why has it taken so long, do you think? because we still live in a very sexist society, and it s very, very hard to advance. advance is happening in scotland s exhibition. this tapestry looks at slavery and the stories we re told. the artist, alberta whittle, is the first black woman to represent scotland in venice. i think the world s more ready to accept women artists, possibly. black women artists, i don t know. i d like it if people
there s a longer arc of people that we need to keep saying, they re here. for more than a century, the world s most high profile art exhibition has centred around men. not this year. close to sonia boyce s pavilion, america s has a new temporary thatched roof, and an exhibition courtesy of simone leigh, the first black woman to represent the us here. they wanted to start this part of the show with this monumental artwork. simone leigh won the other golden lion prize for this 16 foot bronze sculpture at the central biennale show, curated by cecilia alemani. of the 213 artists featured in what s called the milk of dreams, between 80% and 90% are female. i wanted to give the stage and the platform to many amazing, wonderful artists who also happen to be women. and why has it taken so long, do you think? because we still live in a very sexist society, and it s very, very
for more than a century, the world s most high profile art exhibition has centred around men. not this year. close to sonia boyce s pavilion, america s has a new temporary thatched roof, and an exhibition courtesy of simone leigh, the first black woman to represent the us here. they wanted to start this part of the show with this monumental artwork. simone leigh won the other golden lion prize for this 16 foot bronze sculpture at the central biennale show, curated by cecilia alemani. of the 213 artists featured in what s called the milk of dreams, between 80% and 90% are female. i wanted to give the stage and the platform to many amazing, wonderful artists who also happen to be women. and why has it taken so long, do you think? because we still live in a very sexist society, and it s very, very hard to advance. advance is happening in scotland s exhibition. this tapestry looks at slavery
to represent the us here. they wanted to start this part of the show with this monumental artwork. simone leigh won the other golden lion prize for this 16 foot bronze sculpture at the central biennale show, curated by cecilia alemani. of the 213 artists featured in what s called the milk of dreams, between 80% and 90% are female. i wanted to give the stage and the platform to many amazing, wonderful artists who also happen to be women. and why has it taken so long, do you think? because we still live in a very sexist society, and it s very, very hard to advance. advance is happening in scotland s exhibition. this tapestry looks at slavery and the stories we re told. the artist, alberta whittle, is the first black woman to represent scotland in venice. i think the world s more ready to accept women artists, possibly.
to keep saying, they re here. for more than a century, the world s most high profile art exhibition has centred around men. not this year. close to sonia boyce s pavilion, america s has a new temporary thatched roof, and an exhibition courtesy of simone leigh, the first black woman to represent the us here. they wanted to start this part of the show with this monumental artwork. simone leigh won the other golden lion prize for this 16 foot bronze sculpture at the central biennale show, curated by cecilia alemani. of the 213 artists featured in what s called the milk of dreams, between 80% and 90% are female. i wanted to give the stage and the platform to many amazing, wonderful artists who also happen to be women. and why has it taken so long, do you think? because we still live in a very sexist society, and it s very, very hard to advance.