blocks, judd s first works here, met with bemusement by many locals. some of the jokes were they look like culverts or cattle pens, and there was scepticism at first, but the local people who have come and walked on these pieces have a sense of belovedness towards them. back in the town s main drag, i decide to get a local s point of view. this used to be a mechanic shop, and blacksmith shop. this lot, now it s a big art gallery and studio. but as i quickly discover, the saloon bar owner is not your average joe. this self proclaimed cowboy out of the box is a bit of a southern dude,
life here. the artists live and work at the museum, - life here. the artists live and work at the museum, they . life here. the artists live and i work at the museum, they have life here. the artists live and - work at the museum, they have a studio space. jenny was one of those budding creative pilgrims, so impressed by judge s were, she moved from new york to marfa with her young family. then there are these concrete blocks, judge s first works here, met with bemusement by many locals. some ofthe bemusement by many locals. some of the jokes bemusement by many locals. some of the jokes where bemusement by many locals. some of the jokes where they bemusement by many locals. some of the jokes where they look - of the jokes where they look like cattle pens, and there were scepticism at first, but the local people who have come and walked on these pieces have and walked on these pieces have a sense of the loveliness towards them. a sense of the loveliness towards them. back in the
from new york, the late donald judd. with this space and freedom he created one of the world s largest installations of contemporary art. that an artist from new york city at the height of his career left new york, he thought it was a harsh and glib environment that did not support artists or their art, and what he created has inspired this whole other group of artists, writers, film makers, musicians to come and have a life here. the artists live and work at the museum, they have a studio space. jenny was one of those budding creative pilgrims, so impressed byjudd s work, she moved from new york to marfa with her young family. then there are these concrete blocks, judd s first works here, which were met with bemusement by many locals. some of the jokes were they look like cattle pens, and there was scepticism at first, but the local people