Massachusetts merchant and political figure. He was 82 when this was painted. Copleys shown him just as he was. Youll notice the way hes painted the face and the hands is a little different. This is 12 years later. Copleys changed his technique, so the hands are painted with al little bit more fluid paint and in the face as well. Its easier to show the details, so copley is changing and developing as he goes along through his career in boston. Il so copleys portraits of men po show you these very substantial realistic figures that look ial comfortable in their setting an you have a sense that they had, these two men especially, that , theyve had successful lives and theyre in a good place. His paintings of women sometimee are just so ravishingly beautiful in their attention to fabric and texture and the o beauty of the skin, like this portrait of Anne Fairchild bowler. Ms. Metcalfe bowler. This was painted in 1763, so about the same time he was proac painting epes sergeant, but its a t
Proficiency. It was john jay. Gilbert stuarts purpose of coming to america was to paint washington and it was john jay who gave him his letter of introduction to washington whena he eventually went to philadelphia to paint washington, so it was john jay who really made that possible for him. Before going to washington, lets go into the next gallery. A before painting washington, as r said, stuart spent a year and a half in new york and painted many portraits while he was there. York and were lucky enough to have, oh, probably eight of them. He painted a whole series of a portraits for the yates pollock family. Two of them are hanging right here. Yates this is catherine brass yates. Y mrs. Richard yates. Stuart at his most amazing. Catherine yates was married to Richard Yates who hangs on the other side of the doorway over there. He had an importing company, soh they were import exporters of c, goods. They took to the west indies t cloth and flour and things like that. They transported
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