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Midnight In A Perfect World director Dodo Dayao: Genre films give you aesthetic wiggle room to literalise impossible ideas

‘Midnight In A Perfect World’ director Dodo Dayao: “Genre films give you aesthetic wiggle room to literalise impossible ideas” The Filipino filmmaker talks putting a different spin on stale horror tropes, not spoon-feeding the viewer and more Jasmine Curtis Smith in Midnight In A Perfect World. Credit: Geric Cruz He’s the toast of Manila’s independent horror cinema, but for Dodo Dayao, the dreaded sophomore slump was as debilitating as the unspeakable spooks he’s projected to the screen. After the critical success of his 2014 debut feature Violator – which won Best Film at Cinema One Originals – the filmmaker set out to do something “as far away from it as possible”. And when an attempt at such started fizzling out, he says, “I was in a mild state of panic.”

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