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Cecilia Suarez Smashed Clichés in La Casa De Las Flores and Now ABC s Promised Land

You may know Cecilia Suarez, 50, as Paulina de La Mora, the riveting lead in Manolo Caro's Mexican dark dramedy “La Casa de Las Flores” [“The House of Flowers”], co-produced by Netflix. The actress stole countless scenes playing Paulina, the eldest of the dysfunctional upper-class clan and the manager of her father's struggling cabaret full of drag queens, strippers and "dark rooms." All to buy back the family-run business a posh floristry shop to maintain their high social status among the Mexican elite and save her relationship with transgender ex-partner Maria Jose. 

Halloween: These are the ten most haunted houses in Spain - Olive Press News Spain

Opinion: The World Design Capital is more than an award It s a chance to solve problems

Tourist-depleted Madrid is a strange place in the demonic August heat

Tourist-depleted Madrid is a strange place in the demonic August heat
irishtimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from irishtimes.com Daily Mail and Mail on Sunday newspapers.

Netflix Is Launching a Series Inspired by a ProPublica Story About a U S -Triggered Massacre in Mexico

Email address: Thanks for signing up. If you like our stories, mind sharing this with a friend? https://www.propublica.org/newsletters/the-big-story?source=www.propublica.org&placement=share®ion=nationalCopy link For more ways to keep up, be sure to check out the rest of our newsletters.See All Fact-based, independent journalism is needed now more than ever.Donate Schamus, an Oscar nominee and former CEO of Focus Features who previously produced widely acclaimed films including “Crouching Tiger, Hidden Dragon,” “Brokeback Mountain,” and “Lust, Caution,” said that after reading ProPublica’s reporting on Allende, he was struck by the complex story behind what had happened there and the fact that the tragedy was not more widely known, largely because systemic impunity made it dangerous for those affected to speak out about it. He said he immediately started reflecting on ways the story could be told through a fictional narrative that centered on the experiences of

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