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Edinburgh Fringe 2022 reviews: Temping / Work txt

Two performer-less shows on the theme of work set the audience to - well, work. Theatre review by David Kettle

Review of Nine Lessons and Carols at Almeida Islington

Caroline David Published: 4:01 PM December 10, 2020    Nine Lessons and Carols ; Created by Chris Bush, Rebecca Frecknall & The Company at the Almeida Theatre Islington - Credit: Helen Murray After two national lockdowns and many desperate months of darkness, the Almeida reopens with an achingly felt response to the year: an abstract collage of sketched experiences, generated by locking down a group of six actors in a rehearsal room with director, Rebecca Frecknall, and writer, Chris Bush. Conceived to reflect the madness, despair and occasional strange warmth of 2020, Nine Lessons and Carols wears its humane intentions clearly on its sleeve. The play opens with a voiceover in fairy-tale mode debunking the title – there are no carols. If there are lessons, they are slow to emerge.

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