Kramer take one jerry no kramer stop it Jason Alexander and boom, there you go, a situation comedy. Sheldon bazinga tim allen this twenty three minutes of magic. Lucy its so tasty, too tracy morgan you fell in love with these characters. Arnold What Chu Talkin about willis . Geri jewell we need to laugh at ourselves. Joey you hide my clothes, im wearing everything you own. Constance wu laughter opens you up. Haley okay ready . Surprise [screaming and chaos] Mara Brock Akil the things that we might be afraid to talk about. Bow some people that were supposed to protect us didnt do the right thing. Tim reid like racism. Son so the cops are the bad guys . Dre yes. Bow no. Kim fields Class Wars Ralph money im a millionaire. Dan levy and gender diversity. Sarah dad . Maura hi girls. Ted danson you can reach in and really touch peoples hearts. Dianne i hate you sam are you as turned on as i am . Dianne more rainn wilson whether its a Family Living under the same roof. Jj dynomite james now th
Kramer no there good. Jerry i dont want it. Henry winkler what do you want . You want comedy. Kramer take one jerry no kramer stop it Jason Alexander and boom, there you go, a situation comedy. Sheldon bazinga tim allen this twenty three minutes of magic. Lucy its so tasty, too tracy morgan you fell in love with these characters. Arnold What Chu Talkin about willis . Geri jewell we need to laugh at ourselves. Joey you hide my clothes, im wearing everything you own. Constance wu laughter opens you up. Haley okay ready . Surprise [screaming and chaos] Mara Brock Akil the things that we might be afraid to talk about. Bow some people that were supposed to protect us didnt do the right thing. Tim reid like racism. Son so the cops are the bad guys . Dre yes. Bow no. Kim fields Class Wars Ralph money im a millionaire. Dan levy and gender diversity. Sarah dad . Maura hi girls. Ted danson you can reach in and really touch peoples hearts. Dianne i hate you sam are you as turned on as i am . Dian
- advertising is based on one thing: happiness. - [shouting excitedly] - is there any taboo that you wouldn t break? - not if there was a funny idea. - what is wrong with you? - there s so much different storytelling - and so many different stories being told - about so many different people. - i don t think dramatic series television has ever been stronger. - there s no longer this theory of what - popular entertainment must be. - incoming! - who are the heroes? the people who watch this show. [slowly building orchestral music] - this is the week when the major broadcast networks unveil their fall lineup of shows, and every executive in hollywood knows how well the sopranos is doing on cable, which is a network problem. - i think hbo altered everything for this reason alone, is there were no commercials. - we are dependent on sponsors. there is so much we can do in terms of language, in terms of violence, and in terms of sex. - to a large degree, a lot of executives we
want it. what do you want? you want comedy? one. cramer, stop it. and boom. there you go. situation comedy. zynga. 23 minutes of magic. it s so tasty, too. in love with these characters you talking about willis? we need to laugh at of the shelves. you hide my clothes . i m wearing everything you own. laughter opens you up, okay. ready? oh we might be afraid to talk about some people that were supposed to protect us didn t do the right thing like racism. so the cops are the bad guys, you know, class wars. that and gender diversity. hi, girls. you can reach in and really touch people s hearts. you turned on as i am more whether it s a family living under the same roof might kind of talk. i like to hear or gathered together in a workplace that s a glue stick em all the great sitcoms are about family wonder. it s one of the great accomplishments of the modern age. mm hmm. what if we always said is the most important thing? breakfast. family. film right family is key to the sitcom
there s no longer this theory of what popular entertainment must be. incoming! who are the heroes? the people who watch this show. this is the week when the major broadcast networks unveil their fall lineup of shows. and every executive in hollywood knows how well the sopranos is doing on cable, which is a network problem. i think hbo altered everything for this reason alone, is there were no commercials. we are dependent on sponsors. there s so much we can do in terms of language, in terms of violence, in terms of sex. to a large degree, a lot of executives were just sanding off the edges of what was interesting. i think hbo is looking at the world and going, okay, how can we matter? for quite a long time, movies and boxing were the bread and butter of hbo. people watch a show because you re partly a [ bleep ]. i think what we learned through shows like the larry sanders show or oz is that we could do serious television. there s somethin