Kate Tsang s Magical Journey to Sundance Film Festival
Kate Tsang s Magical Journey to Sundance Film Festival
AT&T s Untold Stories program empowered the debut feature film director to conjure her offbeat tale and advance Asian American representation on the big screen.
Alice Glass, provided by
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If the Sundance Film Festival loves a success story, the fest is likely to fall head over heels for director Kate Tsang.
Her coming-of-age adventure “Marvelous and the Black Hole,” which premieres Jan. 31 at this year’s festival, is not only her first feature as a director, it’s a rarity: a feature produced, directed, written, designed by and starring Asian American women.
“Marvelous and the Black Hole” will make you believe in magic.
Filmmaker Kate Tsang’s feature directorial debut follows Sammy (Miya Cech), a 13-year-old delinquent struggling with her grief over the death of her mother. After her exasperated father enrolls her in a summer business class, Sammy meets the gruff magician Margot (Rhea Perlman), who is on her way to perform a show for kids. And through this new friendship and some magic lessons things start to change for Sammy.
Tsang cites her relationship with her grandfather, who helped take care of her when she was growing up, as the inspiration for this story.
Passing
The indie film showcase s pandemic-era program also has directorial debuts by Jerrod Carmichael, Pascual Sisto and Questlove with his Black Woodstock documentary.
As Sundance director Tabitha Jackson s reign at the indie film festival gets well underway, the marquee indie U.S. film showcase has gone mostly online with a pandemic-era discovery lineup filled with work by women and BIPOC directors and more than half the 2021 program shot by first-time helmers.
For Jackson, the focus on debut feature directors underlines how, despite the COVID-19 crisis pausing film production in Hollywood and upending planning for Sundance s upcoming Jan. 28 to Feb. 3, 2021, edition, the marquee festival isn t playing it safe as it doubles down on revealing new independent voices to the world.
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When the Sundance Film Festival kicks off on January 28, 2021, in Park City, Utah, there won’t be a long line of people standing outside the Eccles Theater, watching their breath catch in the cold winter air and Main Street surely won’t be packed with revelers and sponsor activations, either.
Instead, on account of the coronavirus pandemic, next year’s Sundance will actually expand amid the contraction of live events. Rather than relying solely on in-person experiences, the festival has plans that extend far beyond the theater: a digital platform where patrons around the world can watch this year’s lineup; drive-in screenings at venues around the country; in-person showings at independent art houses nationwide where indoor events can happen safely and in accordance with public health guidelines; and even a virtual reality space that includes live performances and a lobby where people can digitally congregate.