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Gabino Iglesias We all know 2020 was a horrific year, but it was also a superb year for horror. As the world struggled through the pandemic, readers stuck at home turned to horror narratives as much – if not more so – than they regularly do because fictional horrors offer us an escape from real ones. As always, the genre delivered. The greatness started early with Andy Davidson’s The Boatman’s Daughter, a book that seemed to be pulled from the muddy rivers of the South and carried all the spookiness and grit hidden in every bayou in this country. With great characterization and sharp prose, this early release was making lists at the end of the year, and deservingly so. Luckily for readers, that was just the beginning.

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