in your film making life, the genres have shifted and evolved, but also the technology has really shifted and evolved. yeah. ..and you just alluded to it, with much more computer generated imagery. yeah. ..and virtual reality, and now they re building these extraordinary, i think, called led walls. yeah, yeah. you can do more and more shooting, not on location, which you re famous for scouting your locations, lighting them so carefully. right. now, you could conceivably make what looked like a location based movie, entirely fake, entirely in a led wall environment. right. could you imagine doing that? no. i mean, maybe for certain sequences. i m sure it works great for car work, so you don t have to be out in the middle of new york at night with a tracking vehicle. mm. um, but to do a whole film like that, it doesn t really interest me. i mean, some people do it,
with technology and, you know, digital technology and effects and superheroes and it s wonderful, i m not decrying that, but where s the other side of it? you know, i guess, in your film making life, the genres have shifted and evolved, but also the technology has really shifted and evolved. yeah. ..and you just alluded to it, with much more computer generated imagery. yeah. ..and virtual reality, and now they re building these extraordinary, i think, called led walls. yeah, yeah. you can do more and more shooting, not on location, which you re famous for scouting your locations, lighting them so carefully. right. now, you could conceivably make what looked like a location based movie, entirely fake, entirely in a led wall environment. right. could you imagine doing that? no. i mean, maybe for certain sequences. i m sure it works great for car work, so you don t have to be out in the middle of new york at night with a tracking vehicle. mm. um, but to do a whole film
you know, i guess, in your film making life, the genres have shifted and evolved, but also the technology has really shifted and evolved. yeah. ..and you just alluded to it, with much more computer generated imagery. yeah. ..and virtual reality, and now they re building these extraordinary, i think, called led walls. yeah, yeah. you can do more and more shooting, not on location, which you re famous for, scouting your locations, lighting them so carefully. right. now, you could conceivably make what looked like a location based movie, entirely fake, entirely in a led wall environment. right. could you imagine doing that? no. i mean, maybe for certain sequences. i m sure it works great for car work, so you don t have to be out in the middle of new york at night with a tracking vehicle. mm. erm, but to do a whole film like that, it doesn t
which you re famous for, scouting your locations, lighting them so carefully. right. now, you could conceivably make what looked like a location based movie, entirely fake, entirely in a led wall environment. right. could you imagine doing that? no. i mean, maybe for certain sequences. i m sure it works great for car work, so you don t have to be out in the middle of new york at night with a tracking vehicle. mm. erm, but to do a whole film like that, it doesn t really interest me. i mean, some people do it, and it looks pretty amazing. but i think you re missing something, it s missing something. i think the actors. what are you missing? well, i think the actors are missing something to. ..relate to, in a way. i think you re missing the environment that everybody s working in that feels like part of the story. i don t know. i can t explain myself very well, but there s something about being on location, and being in a real
you know, i guess, in your film making life, the genres have shifted and evolved, but also the technology has really shifted and evolved. yeah. ..and you just alluded to it, with much more computer generated imagery. yeah. ..and virtual reality, and now they re building these extraordinary, i think, called led walls. yeah, yeah. you can do more and more shooting, not on location, which you re famous for, scouting your locations, lighting them so carefully. right. now, you could conceivably make what looked like a location based movie, entirely fake, entirely in a led wall environment. right. could you imagine doing that? no. i mean, maybe for certain sequences. i m sure it works great for car work, so you don t have to be out in the middle of new york at night with a tracking vehicle. mm. erm, but to do a whole film like that, it doesn t really interest me. i mean, some people do it, and it looks pretty amazing. but i think you re missing something,