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Lobby Wrap: Pro-psilocybin group enlists By Charlie Pinkerton. Published on Mar 1, 2021 11:43am The West Block of the Parliament buildings (Jolson Lim/iPolitics)
Last week,
Therapsil, a non-profit that seeks to promote access to psilocybin therapy, saw a board of directors’ member join the Lobby Registry. It’s looking to promote patient-centred psilocybin research in Canada, and help patients and doctors access psilocybin through special regulations.
Kitchener-based cybersecurity company
Palitronica Inc was the only client organization with more than two registrations. Four other companies had two apiece:
Staples Canada ULC,
Cape Breton University, and tech company
Benchmark Corp.
Global Public Affairs was the most active lobbying firm, racking up six registrations this week; CFN Consultants had the second-most with five; Capital Hill Group and Summa Strategies each had four; StrategyCorp Inc. had three registrations; and PAA Public Affairs Advisors, Im
Five local artists working in very different musical genres talk about their pandemic year picks.
Author of the article: Stuart Derdeyn
Publishing date: Dec 23, 2020 • December 23, 2020 • 6 minute read • B.C. groove artist Jayda G was signed to NinjaTune Records, who released her debut Significant Changes. Photo by Lou Jasmine /PNG
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Article content
It’s been a tough year on everyone. But the independent music sector might be having one of the toughest.
A recent report conducted by Nordicity on behalf of the Canadian Independent Music Association lists a 79 per cent drop in income from 2019 in the live music sector and a best-case scenario that the industry won’t see anything near pre-COVID levels until 2023/24. And that is a best-case scenario banking on continued federal, provin
A new music sector report recommends government create a CERB-like financial aid program specifically for cultural workers by Richard Trapunski on December 11th, 2020 at 6:30 PM 1 of 1 2 of 1
It’s been a very tough year for Canada’s independent music industry. With the pandemic cancelling most shows since March, musicians have lost live performance revenue; music venues have gone dark; the live-events ecosystem (lighting, production) is devastated; and a new civil rights movement has brought into focus the need for greater racial inclusion and representation.
We knew it was bad, but a new report from the Canadian Independent Music Association (CIMA) and Nordicity puts a number on it: $233 million. That’s how much revenue the music industry lost in just six months according to their new report, The Impact of COVID-19 on Canadian Independent Music.
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