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As Competition Ramps Up in the Primary Market, Midsized Galleries Promote Their Close Ties to Artists at Paris+

Nikita Gale connects speed and sound in 2022 BMW Open Work Commission

Nikita Gale connects speed and sound in 2022 BMW Open Work Commission
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Looking Back On Five Years of BMW Open Work

Looking Back On Five Years of BMW Open Work
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Gallery Weekend Beijing Drew Nearly 200,000 In-Person Visitors Despite a Regional Audience and Enduring Travel Restrictions

Gallery Weekend Beijing Drew Nearly 200,000 In-Person Visitors Despite a Regional Audience and Enduring Travel Restrictions Dealers saw robust attendance and encouraging signs for the future of in-person art events. Installation view of BANK MABSOCIETY at the Visitor section of Gallery Weekend Beijing. After the turmoil that stalled much of the 2020 art calendar, Gallery Weekend Beijing marks one of the first signs of a return to interacting with art in real life and so far there’s been robust demand. Originally scheduled for March, the fifth-annual edition of the event was postponed to May and ran for a week before ending yesterday (though some visiting galleries are continuing their runs for additional weeks). The surprisingly high number of in-person visitors 199,000 according to the official count largely came from the region.

Sanya Kantarovsky and Camille Blatrix

23 Apr   22 May 2021 at Modern Art in London, United Kingdom 30 April 2021 Sanya Kantarovsky and Camille Blatrix, Will-o’-the-wisp, Modern Art Bury Street, exhibition view. Courtesy of the artists and Modern Art, London. Photo by Robert Glowacki If there is one quality which more than another marks the demand of the present day it is the requirement of novelty. In every direction the question which is asked is not, Is this fresh thing good? Is it appropriate to, and well-fitted for, its intended uses? but Is it novel? And the constant change of fashion sets a premium upon the satisfaction of this demand and enlists the commercial instinct on the side of perpetual

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