us. her lighting is extraordinary and one of the things that you get out of the piece is she is constantly m miked. she is wearing a microphone in order to catch any question from a reporter that she will then use against the reporter and then put it online it s a whole other level of campaigning. correct. i ve never seen anything like it in covering campaigns on either side of the aisle. she has a small microphone that maybe you or i would notice but who else would and it is not connected to the mic system in a room or an event. it is connected to a camera that s actually operated by her husband. who is a camera person from the station. who is a camera person from the station and owns a production company and he s also the person who designed that home studio you just saw in the clip. with incredible lighting. with the lighting, the gauzy
kari lake is also the subject of a fascinating subject of the washington post, i am joined by the author that piece, elaine creamer. her lighting is extraordinary, and one of the things that you get out of the piece is that she is constantly mike, she s wearing a microphone at all times, even when not on television. in order to catch any questions from a reporter that she will then use against the reporter, and then put it online. it s a whole other level of campaigning. correct, i ve never seen anything like it and covering campaigns another side of the aisle. she has a small microphone in the ear that maybe you or i would know this, but no one else would. and it is not connected to the mic system in a room, or at an event. it is connected to a camera that is actually operated by her husband. who is a camera person from the station. who is a camera person from the station, and owns a production company. he s also a person who designed that home studio you saw that
massively active, cnn was huge in everybody s consciousness because there all the competition. we told these stories all over the world and made a huge impact. remember, even american politicians would say, cnn is the 16th member of the security council. there was the cnn factor. that s because of the pictures and the stories and the images that we were able to tell as a team. in this case, as a team of phenomenal trail blazing women. remember, you know, the bullets don t discriminate. the first camera person i worked with in boss notinia, she was targeted, sniped and her whole lower jaw was blown off. she came back and kept working. cindy and all the others have faced their dansk dgers, the horrors. cindy was doing a live shot with me. i didn t know what to do. as she said, we didn t know how
total alone because somebody is clearly shooting this i love the desert scenes i m alone in the desert who else s footprints are those, one of those things. but, look, this is pretty cool. it does feel pretty cool to be walking i ll tell you this i have a lot more fun walking forward than the camera person is walking backwards, i m sure. was that a groan? yes, it was. we went from japan to vietnam. that s when things started to kick in to a different gear. my good friend philippe hold called on me semiunexpectedly. last night. we re ready for our adventure. i joined them on the first trip in vietnam. and he was enjoying himself and being less cynical.
about an hour, and we ll try to catch that. if you get to rick caruso, we will take that, too. jacob, you re in san francisco, where there s a d.a. recall race. let me stay here, because it looks like she s heading out. i can t tell geographically where your camera person is, but i know you re close. i want to let you do your thing here, as she walks out after casting her ballot. go ahead. reporter: i m right in front of here. i cannot speak to her. i m not allowed. good to know. reporter: yes, just so you know, her campaign is very, very clear about that, but you see her meeting and greeting people here at the mall. this is her district. okay. reporter: you can see her face in all window sills around