on any given episode of lockup: extended stay, there are a handful of special shots that bring a sense of movement and flow to the often stagnant world of prison and jail. that s because on every extended stay shoot, cameraman steve field joins our five person crew for a few days to shoot nothing but steady cam footage. i try to pick up movement. i ll walk with officers. i ll walk with inmates. i ll walk alone the perimeter. it gives a feeling that you re really in that spot and it s really your pov. it s a massive piece of gear. and when i suit up i really get looks from both the inmates, and corrections officers. it s a serious bit of work. you have to know where you are, what you re doing, you have to make eye contact with the inmates or prisoners. and what i ve learned over time is, they re real people. when you hear the stories, when you realize somewhere along the line they made a bad mistake.
on any given episode of lock up extended stay, there a handful of special shots that bring a sense of movement and flow to the often stagnant world of prison and jail. on every extended stay shoot, steve field joins our five-person crew for a few days to shoot nothing but steady cam footage. i walk with officers and inmates and walk along the primitive. it s a feeling that you are really in that spot. it s a massive piece of gear. when i suit up, i get looks from both the inmates and corrections officers. it s a serious bit of work. you have to know where you are and what you are doing and make eye contact with the inmates. whey learned overtime is they are real people. when you hear the stories and realize somewhere along the line, they made a bad mistake.
on any given episode of lockup: extended stay, there are a handful of special shots that bring a sense of movement and flow to the often stagnant world of prison and jail. that s because on every extended stay shoot, cameraman steve field joins our five person crew for a few days to shoot nothing but steady cam footage. i try to pick up movement. i ll walk with officers. i ll walk with inmates. i ll walk alone the perimeter. it gives a feeling that you re really in that spot and it s really your pov. it s a massive piece of gear. and when i suit up i really get looks from both the inmates, and corrections officers. it s a serious bit of work. you have to know where you are, what you re doing, you have to make eye contact with the inmates or prisoners. and what i ve learned over time is, they re real people. when you hear the stories, when
on any given episode of lock up extended stay, there a handful of special shots that bring a sense of movement and flow to the often stagnant world of prison and jail. on every extended stay shoot, camera man steve field joins our five-person crew for a few days to shoot nothing but steady cam footage. i walk with officers and inmates and walk along the perimeter. it s a feeling that you are really in that spot. it s a massive piece of gear. when i suit up, i get looks from both the inmates and corrections officers. it s a serious bit of work. you have to know where you are and what you are doing and make eye contact with the inmates.
possibilities. police say it appears the mother of a patient had a phoenix children s hospital took herson s life before shooting herself. they believe the mother did it and will not say why the boy was hospitalized. back to lock up. on any given episode of lock up extended stay, there a handful of special shots that bring a sense of movement and flow to the often stagnant world of prison and jail. on every extended stay shoot, steve field joins our five-person crew for a few days to shoot nothing but steady cam footage. i walk with officers and