her family talks about and does. with these wonderful split screens. how often do you sleep together? do you have sex often? hardly ever. maybe three times a week. constantly. i d say three times a week. we always think of annie hall as being woody allen s film. but really, it s diane keaton who s created this great character of annie hall. oh, well, la-di-da, la-di-da. she had her own sense of style and she kind of steals the show. oh, lovely. swept the academy awards, which is very rare for a comedy. it won best picture, best writer, best director, and best actress for diane keaton. i remember seeing it during college and being in tears at the end. not because it was sad, but just because i couldn t take the artistry. it s just this beautiful symphony.
Before a mechanical shark chomped the summer box office, before One Flew Over the Cuckoo s Nest became the second movie in history to sweep the major Academy Awards, another movie
don t worry, i m a very good driver. annie hall was about funny, intelligent people meeting, getting together, breaking up, getting back together. he was jewish. she was decidedly not jewish. you are what grammy hall would call a real jew. thank you. annie hall is the best relationship movie, i think, ever made. if you want to just take all the truths of a relationship, how it can work and not work, i think annie hall nails it. i m in a bad mood, okay? he told that story non-chronologically. it took risks in the style of filmmaking. i can t believe this family. there are moments he s talking directly into the camera. nothing like my family. you know, the two are like oil and water. he shows both what his family talks about and does and what her family talks about and does. with these wonderful split screens. how often do you sleep together? do you have sex often? hardly ever.
most of the big people in the industry look at you as a maverick at best, a troublemaker at worst. do you agree with that? unpredictable bob altman. and i think it scares them that they don t have control. almost anti-movie or anti-story many they re not these two-hour, perfect things. i think he as an artist knew inherently that that was bullshit. robert altman had an unbelievable run in the 70s. mash , california split. in every movie, he wants to capture a sense of spontaneity, the sense of really being there.
he had mash, california split, he had nashville. in every movie he wants to capture a sense of really being there. when you first see you can smell that film, the steam and the piss and the cooking and all the different things that were going on in this town. it s such a beautiful film. and the absolute heart break in all of it i think people underestimate the tremendous empathy he had an a filmmaker. he loved people if they were flawed, terrible, wonderful. he celebrated real humanity. he s overlapping voices. he s letting the camera drift