ronnie 0 sullivan s hopes of winning a record equalling seventh world snooker title are in the balance. starting the day 12 5 ahead, 0 sullivan had his lead pinned back byjudd trump to 1a 11, taking the match into the evening session, as jane dougall reports. ronnie 0 sullivan! with the crucible crowd behind him and needing just six frames, ronnie 0 sullivan had the chance to take the world title early for a record equalling seventh time. but even the best make mistakes. time. but even the best make mistakes- time. but even the best make mistakes. , ., . ., . ., mistakes. this is a half chance for dad to get mistakes. this is a half chance for dad to get going- mistakes. this is a half chance for dad to get going. that mistakes. this is a half chance for dad to get going. that is - mistakes. this is a half chance for dad to get going. that is all - mistakes. this is a half chance for| dad to get going. that is all trump needed. dad to get going. that is all trump needed- eager
new york city at the height of his career left new york, he thought it was a harsh and glib environment that did not support artists or their art, and what he created has inspired this whole other group of artists, writers, film makers, musicians to come and have a life here. the artists live and work at the museum, they have a studio space. jenny was one of those budding creative pilgrims, so impressed byjudd s work, she moved from new york to marfa with her young family. then there are these concrete blocks, judd s first works here, met with bemusement by many locals. some of the jokes were they look like culverts or cattle pens, and there was scepticism at first, but the local people who have come and walked on these pieces have a sense of belovedness towards them.
they have a studio space. jenny was one of those budding creative pilgrims, so impressed byjudd s work, she moved from new york to marfa with her young family. then there are these concrete blocks, judd s first works here, met with bemusement by many locals. some of the jokes were they look like culverts or cattle pens, and there was scepticism at first, but the local people who have come and walked on these pieces have a sense of belovedness towards them. back in the town s main drag, i decide to get a local s point of view. this used to be a mechanic shop, and blacksmith shop. this lot, now it s a big
ranch town of marfa, that began life as a railroad stop. and marfa s transformation is largely down to the arrival in the 1970s of a leading artist from new york, the late donald judd. with this space and freedom he created one of the world s largest installations of contemporary art. that an artist from new york city at the height of his career left new york. he thought it was, as he wrote, a harsh and glib environment that did not support artists or their art, and what he created has inspired this whole other group of artists, writers, film makers, musicians to come and have a life here. the artists live and work at the museum, they have a studio space. jenny was one of those budding creative pilgrims, so impressed byjudd s work,
that began life as a railroad stop. and marfa s transformation is largely down to the arrival in the 1970s of a leading artist from new york, the late donald judd. with this space and freedom he created one of the world s largest installations of contemporary art. that an artist from new york city at the height of his career left new york, he thought it was a harsh and gloomy environment that did not support artists or their art, and what he created has inspired this whole other group of artists, writers, film makers, musicians to come and have a life here. the artists live and work at the museum, they have a studio space. jenny was one of those budding creative pilgrims, so impressed byjudd s work, she moved from new york to marfa with her young family. then there are these concrete blocks, judd s first works