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The Batman review: Why so serious?

The latest take on the Caped Crusader, Matt Reeves' “The Batman” offers a weirder, less likable Bruce Wayne (Robert Pattison) and some slightly subversive things to say about its own genre. But at the end of the day, it’s still yet another grim and gritty Batman movie one that’s plentiful style can’t quite make up for its lack of substance. Here's film critic Caroline Siede's review.

The Batman review: Why so serious?

The latest take on the Caped Crusader, Matt Reeves' “The Batman” offers a weirder, less likable Bruce Wayne (Robert Pattison) and some slightly subversive things to say about its own genre. But at the end of the day, it’s still yet another grim and gritty Batman movie one that’s plentiful style can’t quite make up for its lack of substance. Here's film critic Caroline Siede's review.

The Batman review: Why so serious?

The latest take on the Caped Crusader, Matt Reeves' “The Batman” offers a weirder, less likable Bruce Wayne (Robert Pattison) and some slightly subversive things to say about its own genre. But at the end of the day, it’s still yet another grim and gritty Batman movie one that’s plentiful style can’t quite make up for its lack of substance. Here's film critic Caroline Siede's review.

The Batman review: Why so serious?

The latest take on the Caped Crusader, Matt Reeves' “The Batman” offers a weirder, less likable Bruce Wayne (Robert Pattison) and some slightly subversive things to say about its own genre. But at the end of the day, it’s still yet another grim and gritty Batman movie one that’s plentiful style can’t quite make up for its lack of substance. Here's film critic Caroline Siede's review.

The Batman review: Why so serious?

The latest take on the Caped Crusader, Matt Reeves' “The Batman” offers a weirder, less likable Bruce Wayne (Robert Pattison) and some slightly subversive things to say about its own genre. But at the end of the day, it’s still yet another grim and gritty Batman movie one that’s plentiful style can’t quite make up for its lack of substance. Here's film critic Caroline Siede's review.

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