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surprising way to get rachel to know how ross feels. i can t go to my own prom without a date. take her. you can wear my tux. dad, she won t want to go with me. she s learning something new and he thinks, oh, god, please don t let her see this. please don t let her see this. rachel, ready or not, here comes your knight in shining oh, no. bye! chip! oh, dear. ross sees himself and you see that look on his face and how sad he is because he wanted to take her to the prom. when she crossed the room, i still kind of get chills from it. when she crossed the room and gave him that kiss [ cheers and applause ] the audience went insane.
in the mid-1990s if you took a rook look at the list of the 50 most-watched shows, at the top would be nick load con. rug rats, blues clues . don t you know cartoons will ruin your mind? ren and stimpy had surreal, high-concept humor to it. this is the beginning of the splintering of the television audience and splintering of the family audience, really, because with families having three or four tvs in the house you had a kid watching nickelodeon, the dad watching espn sports, the mom watching lifetime. you know, they were in their own separate universes watching television. by the time of the 90s, mtv wasn t merely a music channel. they were having great success in terms of creating shows that incorporated music but that were also shows and programs that stood on their own. yes!
shell me with questions all night i m living in a danger zone homicide: life on the street was innovative in terms of style. it used music in ways that advanced the narrative and also used feature film directors that brought a look and style to the show that really stood out on television. tears coming out of your eyes. ain t no tears coming from my eyes. those eyes are brimming with tears. they had so many african-americans characters in the cast that on several occasions that were the only people on camera interacting with one another. and that sounds like, so, but as late as the 90s, that wasn t done on television. when a cop shoots somebody, he stands by. he picks up the radio mike and calls it in. he stands by the body. if not, cops are no better than anybody else. in the 90s, television was getting more complicated, stories were starting to become more episodic and characters were starting to develop and change. none of that happened on law and order.
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