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and she looks up in the rearview mirror so she s looking backwards. but then the show looks ahead. that season ended and everybody died. and i thought it was brilliant. the work on tv is as good as any work that s on a big screen. and so that hierarchy of film and television i think has been changed dramatically. partially because of the great work that people did at hbo and
yourself when you re writing a series finale. finales have become increasingly more important. if you don t do a really good finale to a really good series, the sear a ezcan sort of lose its luster. but six feet under comes up with a perfect ending and the show is enhanced a little bit. the end of six feet under has the daughter driving away in the car and music starts to play. it s sia s breathe me. and she looks up in the rearview mirror, so she s looking backwards. but then the show looks ahead. i have lost myself lost
more than anything. of course, honey. so, it is a fool s errand to try and please anyone but yourself when you re writing a serious finale. finales are becoming increasingly more important. you know, if you don t do a really good finale to a really good series, the series can sort of lose its luster. but 6 feet under comes up with a perfect ending, and the show is actually even enhanced a little bit. the end of 6 feet under has the daughter just driving away in the car, and music starts to play. it s sia s breathe me. and she s looking backwards in the mirror. but then the show looks ahead.
finales have become increasingly more important. you know, if you don t do a really good finale to a really good series, the series can sort of lose its luster. but six feet under comes up with a perfect ending, and the show is actually enhanced a little bit. the end of six feet under has the daughter just driving away in the car and music starts to play. it s sia s breathe me. and she looks up in the rear view mirror. so she s looking backwards. but then the show looks ahead. ouch i have lost myself lost myself that season ended, and
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