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My Generation: Kero Kero Bonito

Racing towards the release of their debut album, Kero Kero Bonito are as bold as ever.

Modern music isn t soulless garbage

Radio industry discussion boards at AllAccess.com.

Kero Kero Bonito on magic pop, Bugsnax, and the limits of poptimism

Kero Kero Bonito: Civilisation II EP

Bandcamp / Buy Though they came up in the same scene that produced A.G. Cook, GFOTY, and Hannah Diamond, Kero Kero Bonito’s hyperpop always had a more personal touch. On 2013’s Intro Bonito and 2016’s Bonito Generation, the London trio synthesised a nostalgic and unruly palette of influences ranging from J-pop to post-punk, creating a modern sound that paid tribute to the trio’s hometowns—the London suburbs for producers Gus Lobban and Jamie Bulled, and Otaru, Japan, for vocalist Sarah Midori Perry. This implicit fondness for cycles of reference—for the way that culture compounds over time, accruing layers of influence—meant that KKB never affected the same tongue-in-cheek tone as their peers: For Lobban, Bulled, and Perry, music is an earnest way to celebrate and interrogate the idiosyncrasies of history.

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