mostly they come from stories, sometimes paintings, sometimes they look like films, sometimes they are books. and sometimes they are electronic experiments. you can create these songs out of the raw materials of sounds and words. some of those things in the show are little and some are very big. you have to be there to see that. the show begins with a dance about a drum machine, becoming a drum machine, hitting the body and making sounds of a drum which is something i was trying to fix. i am just a dabbler and a tinkerer so when things break i wonder what it could do now, something different. at the end of the show there is a tableaux which you listen to through bone conduction so music comes through your bones.
my motivations for doing work are many, sometimes sometimes it isjust to make something so heartbreakingly beautiful and not translatable. and other times i have other motives which is my own idea ofjustice. it s political, of course, but i do not claim to be a political artist. it is very difficult to change people s minds. you have to be much sneakier than that if you are going to work with political ideas. each track of the record is a sustained note. there were also several fits. where you can do a little scratching of the theme as well. for me, painting is exactly like playing a violin. is it too loud, is it to beautiful? is it not sharp enough? all of the things you ask yourself about a piece of music i asked myself when
i make a lot of different kinds of things. mostly they come from stories, but sometimes they look like paintings, sometimes they look like films, sometimes they are books. and sometimes they are electronic experiments. and you can create all of these kind of songs out of the raw materials, the sounds of words. some of the things in the show are little and some are very big. you have to be there to see that. the show begins with a dance about a drum machine, becoming a drum machine, hitting the body and making sounds of a drum which is something i made because i was trying to fix something. which is i am just a dabbler and a tinkerer so when things break, i m like, what does this do and what could it do now? something different. at the end of the show, there is a table that you listen to through bone conduction so music comes up through your bones.
sustained note. there were also several fit. sustained note. there were also severalfit. where sustained note. there were also several fit. where you sustained note. there were also severalfit. where you can sustained note. there were also several fit. where you can do a little scratching of the theme as well. for me, painting is exactly like playing a violin. is it too loud, is it to beautiful? is it not sharp enough? all of the things you ask yourself about a piece of music i asked myself when i do the painting. it is a very physical thing as well. i don t really see the difference, for me as an artist in making these things. they are very much the same. i have a lot of fun making things and i think part of the reason that i have a lot of the reason that i have a lot of fun is that i don t really care that much about what people think. getting to the violin and then trying to play