know what that s for. it is just a loincloth, it s just a gesture. her empire started here, a shop on london s kings road. she, along with her creative partner malcolm mclaren, dressed the sex pistols and made bondage gear and swastika trousers fashion must haves. i think it is very sane for young people to be angry. and that is what we were doing, and i wanted this look of an urban guerrilla, and that s what we were after. in the 80s, she moved from london to the paris catwalks, initially with mclaren, and then on her own. the fashionistas loved her. you have to go where you have to go. you have to do what you have to do, and i certainly don t want to be underground. i want to be at a place the most focused that i can find. she used traditional fabrics such as harris tweed and designs from the history books. the supermodels of the day wanted to show for her, even when asked to walk
designer vivienne westwood passing away at the age of 81. a spokesman said she died peacefully surrounded by herfamily in south london. sarah campbell looks back at her life and career. # i am an antichrist. # i am an anarchist. # don t know what i want but i know how to get it. # i want to destroy.# she gave birth to punk, conquered the catwalk and built a globalfashion empire. a grammarschool girl from glossop in derbyshire, vivienne westwood was a would be revolutionary who both shocked and inspired, transforming british fashion. the trousers all come with a little loincloth on the back. everybody wants to know what that s for. it is just a loincloth, it s just a gesture. her empire started here, a shop on london s kings road. she, along with her creative partner malcolm mclaren, dressed the sex pistols and made bondage gear and swastika trousers fashion must haves. i think it is very sane for young people to be angry. and that is what we were doing,
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she, along with her creative partner malcolm mclaren, dressed the sex pistols and made bondage gear and swastika trousers fashion must haves. i think it is very sane for young people to be angry. and that is what we were doing, and i wanted this look of an urban guerrilla, and that is what we were after. in the 80s, she moved from london to the paris catwalks, initially with mclaren, and then on her own. the fashionistas loved her. you have to go where you have to go. you have to do what you have to do, and i certainly don t want to be underground. i want to be at a place the most focused that i can find. she used traditional fabrics such as harris tweed and designs from the history books. the supermodels of the day wanted to show for her, even when asked to walk in nine inch platforms. this fall only added to naomi campbell s fame. laughter.