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Transcripts For DW Arts 21 20190824 11:30:00

This is not to conserve the bow house tradition but rather to act as a forum for discussion. Aesthetic and social questions are opened up again viewed through the mirror of history. And there are some incredible things to see from playful structures and expression and sketches to little wooden houses with socalled furniture for the people functional but far removed from what is supposed to be bell house style by maya has long been a place of experimentation. Assumes self said that before tackling the design of objects you basically have to put people in new clothing particularly during that period in the 19th tens and twentys there was a lot of talk about the new human but everybody meant Something Different by it selfe also reflected many different concepts and images of the Human Dimension of conflict here it was a time of upheaval on the one hand the human body was liberated but on the other the human was in slave to the rhythm of the machine technical progress of hope both nightmar

Transcripts for DW Arts 21 20190824 11:41:00

fact of the nazi regime denounced the school for its degenerate art and even pressured its leadership into closing the bar house in berlin often said in the official propaganda they rejected the ban has entirely it was considered to be bolshevist jewish muxes and everything the nazis deemed negative in banking is not and. what an officially that stance wasn t as clear the nazi saw the typical baal house functionality as a sign of progress and welcomed its new objectivity. and the artists how did the often guard of the bauhaus respond after $933.00. to take. one of the most influential teachers he created graphic design and the universal typeface which became signatures of the ball house. but starting in 1933 by a began to create nazi propaganda. designing catalogues and exhibitions which

Detailed text transcripts for TV channel - DW - 20190406:04:19:00

former boss pupil funds and it uses the unmistakable boss typeface despite the fact that the nazi regime denounced the school for its degenerate art and even pressured its leadership into closing the bar house in berlin often said in the in the official propaganda they rejected the ban has entirely it was considered to be bolshevist jewish muxes and everything the nazis deemed negative in banking is not an auditing this must stop but an officially that stance wasn t as clear the nazis saw the typical bar house functionality as a sign of progress and welcomed its new objectivity. and the artists how did the guard of the bauhaus respond after nine hundred thirty three. to. take her about bio one of the most influential boss teachers he create a graphic design on the universal typeface which became signatures of the ball house. but starting in one nine hundred thirty

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