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Top films to watch on television this week

Top films to watch on television this week
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Flashback: Invasion Of The Body Snatchers - SciFiNow - The World s Best Science Fiction, Fantasy and Horror Magazine

The Body Snatchers was published during the height of McCarthyism.  However, its rather inconspicuous author largely dispelled notions that it was an allegory on communism or the importance of individuality. Nevertheless, considering the times, it wasn’t exactly irrational to propose such an analysis. Even if it was unconscious on the author’s behalf, the story’s proposed political undertones have subsequently allowed generations of filmmakers to creatively reinterpret it to reflect their individual eras. Finney had tapped into the paranoia of an era and a very primal fear concerning the loss of human identity.   This is the crux of Don Siegel’s still chilling small-town set 1956 original adaptation 

La cura del bienestar : Gore Verbinski se pone gótico en una de las mejores películas de terror de la década pasada

La cura del bienestar : Gore Verbinski se pone gótico en una de las mejores películas de terror de la década pasada
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A More Boxier Feel : Aspect Ratio, Architecture, and Ecology in A Cure for Wellness (2016)

Figure 5 – Nature in a Box: A Cure for Wellness, and 1.66:1 This brings us back to Bozelli’s comments with which this article began. The digital reconstruction of an aspect ratio that emerged in the 1950s, but has been used sparingly since, demands consideration of its particular qualities and features. In the 1950s, the coming of Cinerama and CinemaScope led Paramount to develop VistaVision and the 1.66:1 ratio, which was initially marketed as a taller and “more comfortable viewing experience.” [21] Supposedly, it allowed filmmakers to compose images with a greater deal of control and resulted in fewer distractions for the audience than did the comparatively extreme width of CinemaScope. Bazin, for instance, although describing the 1.85:1 version of VistaVision, considered it “spectacular enough to satisfy the eye, yet still rational enough to satisfy the mind.”

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