For his current exhibition at David Kordansky Gallery in New York, Fred Eversley has produced a new body of sculptures that realize ideas initially explored by the artist in writing some fifty years ago. The “Cylindrical Lenses,” which consist of six vertically-oriented structures measuring between seven and nine feet tall, mark the first time that Eversley has made free-standing, floor-based works in resin—a material that has been intrinsic to his practice since the very beginning.
With a major retrospective of his work at three Houston museums, Robert Rauschenberg is once again the talk of Texas. What’s he been up to? A portrait of the artist as an old man.