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Enunciated Life : Taylor Renee Aldridge and Shikeith on the Queering of Black Spirituality
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Blackpentecostal Breath: The Aesthetics of Possibility is proving to be a profoundly influential as well as innovative book. Its author Ashon T. Crawley – academic and artist – features in two exhibitions (one current, one upcoming) which explore themes taken from the book.
A plenitude and plurality is found in these artworks composed of worship, lament and joy – JE
Enunciated Life at California African American Museum takes as its starting point Crawley’s idea that ‘black pneuma’, a communal choreography of inhalation and exhalation experienced within Black Pentecostalism has the power ‘to enunciate life, life that is exorbitant, capacious, and fundamentally social, though it is also life that is structured through and engulfed by brutal violence.’ [1] Otherwise/Revival at Bridge Projects from April utilizes Crawley’s suggestion that the elements of the Black Pentecostal Church the Hammond organ, emphatic breath, shouting, and glossolalia create space for
He Was An Architect By Ashon Crawley | NPR
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In my undergraduate studies I was able to take two courses from the architecture major. We learned a lot about design, cultivated attention to the built environment. My professors emphasized imagining things as they
could be, if only we had the fortitude and verve to bring those things we sensed with our imagination into being. I loved it. One of my favorite parts of those classes was creating section drawings of imagined spaces. As Frank Ching writes in his hallowed reference text
Architectural Graphics, A section is an orthographic projection of an object as it would appear if cut through by an intersecting plane. It opens up the object to reveal its internal material, composition, or assembly.
Michael Ochs Archives/Getty Images
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Little Richard in the studio, circa 1959. Michael Ochs Archives/Getty Images
In my undergraduate studies I was able to take two courses from the architecture major. We learned a lot about design, cultivated attention to the built environment. My professors emphasized imagining things as they
could be, if only we had the fortitude and verve to bring those things we sensed with our imagination into being. I loved it. One of my favorite parts of those classes was creating section drawings of imagined spaces. As Frank Ching writes in his hallowed reference text
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