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'It Wasn't Enough to Put the Black Figure in My Work': Rising Artist Adebunmi Gbadebo on Why She Works With Earth, Hair, and Indigo

'It Wasn't Enough to Put the Black Figure in My Work': Rising Artist Adebunmi Gbadebo on Why She Works With Earth, Hair, and Indigo
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Review: Old Edgefield pottery holds slave memories, resistance at High Museum

Review: Old Edgefield pottery holds slave memories, resistance at High Museum
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A Tribute to Eyal Danieli (1961–2023) – The Brooklyn Rail

Eyal was life itself. We are left here shifting around in a depleted realm (I owe this word to Cora Cohen, who upon hearing Eyal had died, said “the world is depleted”), we flattened, having lost dimensions, dimensions of dynamism, as Eyal drew us out of our flatness, drew us out into fuller being.

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