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Hot Docs 2021: Your 10 best bets, from a Canadian cryptocurrency mystery to a long-lost summer of soul

Hot Docs 2021: Your 10 best bets, from a Canadian cryptocurrency mystery to a long-lost summer of soul
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On the set of Visconti s Death in Venice

Sign up for Sight & Sound’s Weekly Film Bulletin and more News, reviews and archive features every Friday, and information about our latest magazine once a month. Email Sign up Dirk Bogarde calculated that he had reached his 243rd ‘look’ and the end of his tether. Almost. Working for Luchino Visconti on Thomas Mann’s Death in Venice was an experience, alternately exalting and exasperating. Visconti – Duke of Modrone and descendant of Charlemagne – is the absolute monarch, tyrant and charmer, hawk and dove. The camera and consequently Visconti seemed pleased with the “looks”, thought Bogarde, relieved. “Three months from now I shall know it has been marvellously worthwhile. But just at present it is too tender to contemplate. Like going to the dentist and having all your bridgework done in one go.”

Even in a world turned upside-down and an all-virtual Sundance, the movies survive

Even in a world turned upside-down and an all-virtual Sundance, the movies survive Ann Hornaday, The Washington Post Feb. 5, 2021 FacebookTwitterEmail 5 1of5Teenage girls in Texas are at the center of Cusp. Parker Hill, Isabel BethencourtShow MoreShow Less 2of5Students Celine Lu, Jimmy Qiu, Alvan Cai in Try Harder! TRY HARDER! filmShow MoreShow Less 3of5 4of5Mavis Staples and Mahalia Jackson in Summer of Soul, a festival standout and directorial debut of Ahmir Questlove Thompson.Mass Distraction MediaShow MoreShow Less 5of5 For the first time in its history, the Sundance Film Festival went online this year, forced out of theaters in Park City, Utah, by the coronavirus. And it turns out, virtual Sundance was a lot like in-person Sundance in the most important ways.

Virtual Buzz Led to the Biggest Movie Sale in Sundance History

Virtual Buzz Led to the Biggest Movie Sale in Sundance History Vulture.com 2/4/2021 Chris Lee © Miikka Skaffari/Getty Images Apple TV+ picked up the opening night film CODA for an impressive $25 million. Miikka Skaffari/Getty Images This year’s COVID-19-edition Sundance Film Festival ran four days shorter than usual, screened nearly 40 fewer features than in 2020, and unfolded entirely online. Ahead of opening night, attendants and competitors wondered whether or not this version of North America’s preeminent showcase for indie cinema would retain its luster as a hot place arguably the hottest place anywhere to sell art-house movies. Those concerns seemed to melt away, however, when the film

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