‘Sindhi Tapestry’: How an anthology of works by 60 Sindhi writers from around the world came to life
Editor Saaz Aggarwal explains how the collection went from impulse to fruition. A traditional Sindhi peengho, made of Burmese teak, from 1942. | Courtesy Subash Bijlani
On 9 June 2020, out of the blue, the way such things tend to happen, I received an email from one Anil Jaisinghani with subject line “Totally Impressed”.
Anil was writing to tell me what had happened to him after he read my 2012 book
Sindh: Stories from a Vanished Homeland: “So happy to read your book…THANK YOU for making me feel whole rather than a lost Sindhi.”